Anthony van Ravesteyn
| Name: | Anthony van Ravesteyn |
| Gender: | male |
| Born: | Den Haag |
| Died: | Den Haag |
| Father: | Anthony van Ravesteijn sr. (? - ?) |
| Mother: |
Marriage:
- Bartha van Grave (1581 - ca. 1667), s.l. s.d.
Child:
Occupation:
Occupational address:
- Den Haag (-)
Attributes
| Category | Attribute | Value | Date start | Date end |
|---|---|---|---|---|
| Subject of painting | Portret | portretten | ||
| Subject of painting | Stilleven | stillevens | ||
| Wealth | Gross wealth | 3000-- | ||
| Wealth | Gross wealth | 10000-- |
Relations
| Relation | Modifier | Date start | Date end |
|---|---|---|---|
| Education and training | |||
| master of Adriaen Hanneman | certain | ||
| master of Andries Streyen | certain | ||
| master of Jan Jansz. van Witsenhuijsen | certain | ||
References
External biographical records
- http://viaf.org/viaf/95781697
- http://vocab.getty.edu/ulan/500016414
- http://www.biografischportaal.nl/persoon/19740165
- http://www.wikidata.org/entity/Q18516453
- https://rkd.nl/artists/65759
Primary sources
- Haags Gemeentearchief, Den Haag: Notarieel Archief Den Haag (toegangsnummer 0372-01), 250: 127
- Van Gelder, H.E., 'Haagsche cohieren I (1627)', Jaarboek "Die Haghe" (1913), pp. 9-67, 27
Secondary sources
- Bierens de Haan, Johan Carel & Ekkart, Rudi (eds.) Gelderse Gezichten. Drie eeuwen portretkunst in Gelderland 1550-1850, Zwolle: Waanders (2002)
- Bredius, A. & Moes, E.W., 'De schildersfamilie Ravesteyn', Oud-Holland 9|10 (1891)|(1892), pp. 207-220|41-52
- Buijsen, E. (ed.) Haagse schilders in de Gouden Eeuw: het Hoogsteder Lexicon van alle schilders werkzaam in Den Haag 1600-1700, Den Haag: Kunsthandel Hoogsteder & Hoogsteder; Zwolle: Waanders (1998)
- Groenendijk, Pieter, Beknopt biografisch lexicon van Zuid- en Noord-Nederlandse schilders, graveurs, glasschilders, tapijtwevers et cetera van ca. 1350 tot ca. 1720, Leiden: Primavera (2008)
- Thieme, Ulrich & Becker, Felix, Allgemeines Lexikon der bildenden Künstler von der Antike bis zur Gegenwart, Band 28, Leipzig: Engelmann (1934)